The Continental: From the World of John Wick – Exploring the Origin Story
Introduction
The highly anticipated series, The Continental: From the World of John Wick, is set to premiere on Friday, September 22nd on Peacock. This prequel to the popular John Wick films delves into the origins of the iconic hotel-for-assassins and the rise of Winston Scott, portrayed by Ian McShane in the films and Colin Woddell in this version. In this article, we explore the creative process behind the series, the challenges faced by the production team, and what viewers can expect from this new addition to the John Wick universe.
The Creative Process
Albert Hughes, executive producer and director of two episodes of The Continental, provides insight into his approach to bringing this story to the screen. Hughes emphasizes the importance of the initial image that comes to mind when reading a script, stating that it is usually the right one. He follows a detailed shot list process, starting with shorthand sketching and then expanding it into a longer document. This document serves as a reference for the entire production team and is constantly updated by Hughes.
The First Idea is Usually the Best
Basil Iwanyk, executive producer of all the John Wick films, echoes Hughes’ sentiments about the first idea being the best. He emphasizes the importance of trusting one’s instincts and not doubting oneself, as overcorrection can lead to a loss of originality. Iwanyk praises Albert Hughes for bringing a fresh perspective to the series and pushing boundaries.
Finding the Right Actor
Casting the lead role of Winston Scott was a crucial task for the production team. Given the specific look of the character portrayed by Ian McShane in the films, it was essential to find an actor who could embody the role. Colin Woodell was ultimately chosen for the role, impressing the team with his past work and his ability to capture the twinkle in Winston’s eyes. Woodell’s portrayal brings a new dimension to the character.
The Visual and Musical Aesthetics
According to Erica Lee, another executive producer of the series, the creative team aimed to achieve a ’70s noir look for The Continental. The visual style, reminiscent of the era, adds to the unique atmosphere of the show. Additionally, the music plays a significant role in the series, more so than in the films. Albert Hughes stresses the importance of selecting the right songs for specific scenes, aiming for a balance between familiar tracks that evoke emotions for the audience and more obscure choices that avoid relying too heavily on popular music.
A Nod to the Films
Fans of the John Wick movies can look forward to subtle nods to the film franchise in The Continental. While the series charts its own course, there are Easter eggs referencing the established world of John Wick. The premise of the series is even rooted in a line spoken by Winston in the first John Wick movie, adding an extra layer of continuity and fan appreciation.
Conclusion – An Exploration of John Wick’s World
The Continental: From the World of John Wick promises to be a fresh, interesting, and exciting addition to the John Wick universe. As a prequel, it delves deeper into the ideas, notions, and characters introduced in the films, providing a slower and more immersive narrative experience. With a meticulous creative process, a carefully chosen cast, and a visual and musical aesthetic that sets it apart, the series holds the potential to captivate both John Wick fans and new audiences alike.
Sources: burak kostak >>
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