From Elvis to Elton: The Musical Legends Who Rejected the Role of Roger Moore’s Bond

Music Icons Turned Down Playing Roger Moore’s A View to a Kill Villain

The Legacy of Roger Moore’s James Bond

In 1985, Roger Moore starred in his final James Bond movie, “A View to a Kill.” After six official outings across 12 years, Moore bid farewell to the iconic role. The film, named after Ian Fleming’s short story “From a View to a Kill,” featured Moore as Agent 007, opposite Christopher Walken’s menacing villain, Max Zorin.

The Role Turned Down by Music Icons

Interestingly, the role of Max Zorin was initially offered to several music icons before Christopher Walken ultimately took on the part. One notable musician who was considered for the role was David Bowie. During the early publicity for “A View to a Kill” in 1984, Bowie was announced as Zorin. However, he later turned down the offer, preferring not to be involved in what he deemed a “clown performance.” Bowie stated that he did not want to spend five months watching his double fall off mountains.

Additionally, both Sting and Mick Jagger were also offered the role of Zorin but declined. Ultimately, Christopher Walken stepped into the shoes of the Bond villain.

Grace Jones as Bond Girl May Day

While David Bowie may have turned down the role of Max Zorin, his contemporary pop star, Grace Jones, was cast as Bond girl May Day. Jones’s autobiography reveals that both Sting and Mick Jagger were also considered for the role of Zorin but turned it down. It seems that Jones was successful in securing the part, and her powerful portrayal of May Day remains memorable in Bond history.

Elvis’ Ex-Wife Priscilla Presley and Other Casting Changes

Aside from the role of Max Zorin, other casting changes occurred in “A View to a Kill.” Priscilla Presley, Elvis Presley’s ex-wife, was originally set to play Bond girl Stacey Sutton. However, due to contractual obligations with the TV show “Dallas,” Presley was unable to take on the role, and it eventually went to Tanya Roberts.

The film also saw Barbara Bach, who played a Bond girl in “The Spy Who Loved Me,” slated to reprise her role as Major Anya Amasova. However, she decided not to return, leading to the creation of a new character, Pola Ivanova, played by Fiona Fullerton.

Editorial and Analysis

The revelation that several music icons were considered for the role of Max Zorin in “A View to a Kill” offers an intriguing glimpse into the intersection of music and cinema. It highlights the allure of the James Bond franchise, not just for actors but for renowned musicians as well. The fact that David Bowie, Sting, and Mick Jagger were potentially interested in the role demonstrates the global reach and influence of the Bond series.

Furthermore, Bowie’s reflection on the role as a “clown performance” raises interesting questions about the perception and expectations associated with musicians transitioning into acting. The distinction he draws between acting as an actor’s challenge and a potentially demeaning performance for a rock star invites philosophical discussion about the nature of artistry and the boundaries between different artistic forms.

Advice for Casting Directors and Filmmakers

The revelation of the music icons considered for the role of Max Zorin in “A View to a Kill” highlights the potential for creative casting choices. Casting directors and filmmakers should continue to explore outside-the-box options, as these can bring fresh perspectives and unexpected performances to beloved franchises.

However, it is important to respect an artist’s choice if they decline a role. While musicians can bring unique talents to the screen, their decisions should be honored, as they have a different artistic background and may have valid concerns about the type of performance being requested.

Ultimately, the role of Max Zorin in “A View to a Kill” may have been turned down by music legends, but Christopher Walken’s portrayal remains a memorable addition to the James Bond universe. The film stands as a testament to the enduring appeal of the franchise and the intrigue it holds for performers from various artistic disciplines.